The beauty of a finely worked object points to the beauty of the craftsmanship. The beauty of the craftsmanship points to the beauty of the name which was the source of the craftsmanship. The beauty of the name of the craftsman's art points to the beauty of the craftsman's attributes manifested in that art - Said Nursi.
Morocco's craft culture fuses indigenous Berber traditions with Arab, Jewish, Andalusian, and other European influences (particularly France), and marries local resources - stone, wood, metal, mineral and clay deposits, and supplies of leather and wool - with imports such as marble and silk. Technique, passed on through specialist guilds where a master maâlem instructs apprentices and examines their skills, is at the core of Moroccan crafts. An extensive repertoire of designs combines Arabic calligraphy, graceful foliage, and abstract geometry typical of urban design with the sharply stylized birds, animals, zigzags, triangles, and squares of Berber origin.
Lux Aurumque: "Light and Gold", sometimes "Light of Gold".
Sixty kilometres from the heart of the Angkor empire in Cambodia lies the ruined temple of Beng Mealea, almost the same size as Angkor Wat but reclaimed by nature a millennium after it was first built.
Photograph is a picture painted by the sun without instruction in art - Ambrose Bierce.
The sunrise across the northern reflexion pond is a popular tourist attraction. As the sun peaks through the limbs of the Cambodian jungle, the silhouette of Angkor Wat becomes apparent. Once the sunbeams breach the jungle canopy, they illuminate the temple’s red, pink, and salmon-colored sandstone.